Design for Victory

Design for Victory
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111
By:"William L. Bird","Harry Rubenstein"
"Antiques & Collectibles"
Published on 1998-06-01 by Princeton Architectural Press

Henceforth, the overall dramatization of American war aims played out in \u003cbr\u003e\ndemonstrations of commercial \u003cb\u003etechniques\u003c/b\u003e and effects. \u003cb\u003eAdvertising's\u003c/b\u003e critics, then \u003cbr\u003e\nand now, have questioned the use of such \u003cb\u003etechniques\u003c/b\u003e to "sell" the war. Some \u003cbr\u003e\nnoted the ...

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Inciting Americans at home to do their part in producing for the war effort, the poster-inexpensive, accessible, and ever-present-was an ideal agent for making war aims the personal mission of every citizen. From 1941 to 1945, government agencies, businesses, and private organizations issued an array of poster images linking the military front with the home front, calling upon all Americans to boost production at work and at home. The U.S. Office of War Information created the \

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